This eighteenth-century imagining of ancient Syrian horse armour seems bold, if a little impractical.
Some renaissance and early modern horsekeeping manuals get quite carried away about horse colours and what they mean for the temperament and physical qualities of each animal. In 1560, Thomas Blundeville wrote, “A horse for the most part is coloured as he is complexioned”
for if he hath more of the Earth than of the [other three elements], he is melancholy, heavy and faint-hearted, and of colour a black, russet, a bright or dark dun. But if he hath more of water, then he is phlegmatic, slow, dull, and apt to lose flesh, and of a colour most commonly milk white. If of the air, then he is sanguine, and therefore pleasant, nimble and of colour is most commonly a bay. And if of the fire, then he is choleric, and therefore light, hot and fiery, a stirrer, and seldom of any great strength, and is wont to be of colour bright sorrel. But when he doth participate in all the four elements, equally and in due proportion, then he is perfect, and most commonly shall be one of the colours following. That is to say, a brown bay, a dapple grey, a black full of silver hairs, a black like a moor or a fair roan, which kinds of horses are most commendable, most temperate, strongest and of gentlest nature.
We can see the legacy of those theories in our memes about chestnut mares and that old rhyme about markings:
One white sock buy him,
two white socks try him,
three white socks suspect him,
four white socks reject him.
I’d love to hear about coat colour theories in other culture and I’ll certainly collect them as I can. Today I’m going to share some from a Chinese text called Essential Arts of the Common People, compiled by Jia Sixie at some point in the Wei Dynasty period between 534 and 549:
Chestnut horses with shoulders that are yellow marked with black, horses with coats like that of a deer marked with yellow, dappled horses, and white horses with black manes are all good horses.
If there is a streak of white running from the forehead into the mouth, this is called ‘Yuying’ or ‘Dilu’. If servants ride this kind of horse, they die outside their own country. If a master rides it, he will be executed in the marketplace. This is the most inauspicious of horses.
If the left and right rear feet are white, this is not beneficial to people. A white horse with four black feet is not beneficial. A yellow horse with a white mouth is not beneficial. A horse with white rear feet, left and right, will kill women.
If the patterns on the muzzle are like the characters wang (king) or gong (duke), the horse will live to be fifty sui, like the character huo (fire), forty sui; like the character tian (heaven), thirty sui; like the character xiao (small), twenty sui; like the character jin (present), eighteen sui; like the character si (four) eight sui; like the character zhai (dwelling), seven sui. [sui means a year but I’m not sure how Chinese calendar years worked at this time)
Don’t tell me you weren’t warned about flashy horses, ladies!
Source: Harrist, Robert E. (1997), “The Legacy of Bole: Physiognomy and Horses in Chinese Painting,” Artibus Asiae 57.1/2: 135-156.
Ever since I wrote about the “Ice Princess” found on the Ukok plateau in Siberia in If Wishes Were Horses I’ve been fascinated by the early cultures of the Eurasian Steppes. Aside from their deep horsiness, they also seem to have had a very egalitarian society, and their womenfolk fought alongside the men. I’m currently partway through Adrienne Mayor’s exhaustive account of the physical, textual and artistic evidence for the existence of these bow-wielding riders, The Amazons: Lives and Legends of Warrior Women Across the Ancient World, and was delighted to read about two depictions of Amazons with cremellos. Since I got back from Versailles I’ve been seeing cream. So here they are: one Etruscan sarcophagus (the other side shows the creams drawing Amazon chariots) and one goblet found in Sudan.
I was googling around for details of a Greek cavalry commander called Eumenes, who’s credited with introducing the use of pillars in training horses when I found this. As Xenophon put it, would you whip a dancer? Eumenes would.
During this siege, as he [Eumenes] perceived … that the horses would lose condition if they never used their limbs …. he caused their necks to be hoisted by pulleys fastened to the roofs of their stable, until their forefeet barely touched the ground. In this uneasy position they were excited by their grooms with blows and shouts until the struggle produced the effects of a hard ride, as they sprung about and stood almost erect on their hind legs until sweat poured off them, so that this exercise proved no bad training either for strength or speed.
From Plutarch’s Lives, sourced here.
A new piece on the BBC website adds more to speculation over Saudi Arabia’s Al Maqar site: could the fragments of horse figures discovered there depict harness? If this could be definitively proved, the Saudis’ claim to earliest horse domestication would be verified. However, as I pointed out in an earlier, more detailed blog post on the Al Maqar hypothesis:
what sort of harness would that be? Horse collars and breast yokes for draft are not believed to have been invented until 4th century BC China, and a loose strap on the neck would provide little control for a rider. Even if domestication had happened in the peninsula at that period, it became obsolete as the hypothetical Al Maqar domesticated horse died out: new DNA research shows that all modern domestic horses are descended from animals of the Eneolithic Eurasian Steppes.
It now occurs to me that there’s another potential answer. Many equids have what are called “primitive markings” like “eel stripes” running the lengths of their backs, or zebra-esque stripes on their lower legs. One of these markings is a stripe lying across both shoulders. In donkeys it’s been attributed to the fact that Jesus rode an ass – and hence the eel stripe and shoulder band make the shape of a cross. And here’s one, photographed by Wikicommons contributor Barbirossa:
And here’s the Al Maqar horse. What do you think?
eBay, I don’t believe you. That never happened in my daydreams.
Right, on with a long overdue HHLHL! I’ve been busy organising a research trip for book two but the horse world went on turning, and lovely people have been sending me links, so enjoy this extra special post whose diversity reminds me why I’m writing that second book in the first place.
- A zebra pulling a trap in Brixton, circa 1915. (Urban75)
- Look at this beautifully carved golden horse head discovered in a Thracian tomb in Bulgaria. It dates from the third century BC. (Guardian)
- If Radio 4 ever gets rid of Melvyn Bragg’s In Our Time I’ll know Britain is over. Here Melvyn and guests discuss the Upanishads – some of the sacred texts of Hinduism. Horse sacrifice is mentioned (maybe with a connection to the Steppes folk who first domesticated horses?) Thanks to Mum for sending this. (Radio 4)
- The “Pony” chair of Eero Aarnio, the brilliant Finnish designer who came up with the Sixties icon, the Bubble Chair. (Eero Aarnio)
- Francis Robinson send me this cute piece on a police horse who likes to rearrange cones at Buckingham Palace (Daily Mail)
- Wired on the astonishing solidification of the Brony movement, with military personnel confessing their love for My Little Pony in front of the camera. Thanks to my brother for this one (Wired)
- A clean drug-test sheet for all competitors at this year’s Breeders’ Cup. Some of the races were even lasix-free. (ESPN)
- Mega race mare and US Horse of the Year Havre de Grace sells for $10,000,000 (Blood Horse)
- The feral Chicoteague ponies survived Sandy just fine (Daily Press) Speaking of the hurricane, this crazy hoss was just fine too. (Washington Post)
- Horses in today’s US military (CS Monitor)
- A disaster for a herd of Brumbies in Western Australia (ABC)
I enjoyed talking about the history of sidesaddle on Countryfile – it was my first experience of TV and everyone was incredibly friendly and easygoing. We did a few takes of different parts of the interview and it was hard to know whether to embellish what I’d said each time or to say the same thing again. There’s so much material to use but you only have seconds in which to say it, and the entire segment on sidesaddle was six minutes long. This slot had to include the presenter, Ellie, having a sidesaddle lesson, a display by the Legover Ladies and interviews with saddler Laura Dempsey and Roger Philpot. The result is that you simplify as colourfully as you can and make a mental note to do a blog post which clarifies a thing or two. I haven’t seen the programme yet as I can’t watch it on iPlayer here in Berlin, but I’ve been told that it stressed the fact that women didn’t begin to ride cross-saddle or astride until after the First World War. This isn’t really true. I’ve written about the role that the women working in WWI remount depots played in making cross-saddle respectable and even patriotic but of course they weren’t the pioneers. The true picture is very different: it’s not that women didn’t ride astride before 1914. In fact, they never gave up the cross-saddle, not least because until the side-saddle made sufficient technological advances in the Renaissance and later in the 1830s, it was very impractical to use. Even princesses and goddesses sometimes rode cross-saddle when they wanted to gallop and jump. It was often rare and considered eccentric or even indecent (as you’ll see from the first-hand accounts below), but it did happen. Here then is my extended and nonexhaustive breakdown of ladies with a leg on each side, some of whom may be familiar from If Wishes Were Horses: A Memoir of Equine Obsession. Feel free to tell me about more rebels and rodeo riders! I may add more as I go along and have time. Giddy up cowgirls!
First up, Amazons! Short-hand for “women from the Eurasian Steppes who rode astride and went into battle.” Depicted throughout Antiquity as trouser-wearing, man-slaying, horse-riding troublemakers. The Gallo-Roman pony goddess Epona rode both side and astride. Eighth century AD: Women polo players in Tang Dynasty China. A hundred years on, Charlemagne’s six daughters hunted astride. Nicetas Choniates, O City of Byzantium, Annals of Nicetas Choniates, trans.Harry J. Magoulias (c.1150–1213)
“Females were numbered among them, riding horseback in the manner of men, not on coverlets sidesaddle but unashamedly astride, and bearing lances and weapons as men do; dressed in masculine garb, they conveyed a wholly martial appearance, more mannish than the Amazons. One stood out from the rest as another Penthesilea and from the embroidered gold which ran around the hem and fringes of her garment was called Goldfoot.”
Chaucer’s Wife of Bath wears two spurs and must, unlike the Prioress, have been riding with a leg on each side. Most illustrators pick up that cue. End of fourteenth century. Fynes Moryson, (early 1600s):
“Also I have seen honourable Women, as well married as Virgines, ride by the high way in Princes traines, apparrelled like Men, in a doublet close to the body, and large breeches open at the knees, after the Spanish fashion, both of carnation silk or satten, and likewise riding astride like men upon Horses and Mules, but their heads were attired like Women, with bare haires knotted, or else covered with gold netted cawles, and a hat with a feather.” [Source, Women and Horses by Gillian Newsum]
Merry Passages and Jeasts by Sir Nicholas L’Estrange (1603-1655) of Hunstanton, Norfolk. article 354
“The Bury Ladyes that usd Hawking and Hunting, were once in a great vaine of wearing Breeches; and some of them being at dinner one day at Sir Edward Lewkenors, there was one Mr Zephory, a very precise and silenc’t Minister … and … he fell upon this and declaimd much against it; Rob: Heighem … undertooke to vindicate the Ladyes, and their fashion, as decent to such as might cover their shame: for sayes he, ‘if an Horse throwes them, or by any mischance they gett a fall, had you not better see them in their Breeches than Naked?’ sayes the over-zealous man, in detestation of Breeches, ‘O no, by no meanes:’ ‘By my Troth Parson,’ sayes Rob: Heighem, ‘and I commend the for’t, for I am of they mind too.’”
A New Method and Extraordinary Invention to dress Horses, And work them according to Nature; As also, to perfect NATURE by the Subtilty of ART; Which was never found out, but by the Thrice Noble, High and puissant PRINCE William Cavendishe (1657):
“I wonder how Men are so Presumptuous to think they can ride as Horse-men, because they can ride forward from Barnet to London, which every Body can do; and I have seen Women ride astride as well as they; They do not think of any Art or Trade, as they do of Horse-manship, where they are all Masters; Which doth not prove so, when they Ride.”
Morning Post, (3rd March 1778):
“a German Lady who dresses, and rides, en cavalier, has for several days past attracted the attenion of the beaux and belles in Hyde-park. She is well mounted, takes her morning rides without any attendant, and leaps over the different bars in the park with all imaginable coolness and resolution.”
Marie Antoinette astride in leopardskin (she switched to a sidesaddle when she became queen of France). Not everyone thought cross-saddle was a dignified pursuit for a lady:
The Sporting Magazine vol. 18 (April 1801) contains a comment that in 1382 Queen Anne of Bohemia managed “to abolish, even in defiance of France, the safe, commodious, and natural mode of riding hitherto practised by the women of England, and to introduce the sidesaddle.” Lorna Gibb pointed out that adventurer Lady Hesther Stanhope was riding astride on her travels in the first decades of the nineteenth century. Unprotected Females in Norway (1857) by Emily Lowe:
“Two beautiful little ponies with black stripes on their legs like zebras, and two tall farmers in fur caps, came to the door in the course of the morning… only one lady’s saddle secured for my mother… Now the non-talkaboutable [her loose or ‘Zouave’ trousers] proved their usefulness: bagging all my clothes in their ample folds, I at once mounted à la Zouave and can assure every one that for a long journey this attitude has double comforts; whilst mamma sat twisted sideways on a saddle which would not keep its balance, I was easy and independent, with a foot in each stirrup.”
Letters to Mrs Power O’Donoghue, (1880) From “Hersilie”:
“Oh, no woman would ever be twisted and packed onto a sidesaddle again if she could help it, after once enjoying the ease and freedom, as well as complete control of her horse that a man’s seat gives… when shall we cease to prostrate ourselves before the Juggernaut of fashion?… It is a new existence on horseback, and nothing indelicate about it… leaping is, oh, so easy; in fact your power seems doubled in every way. In case of conflict with your horse, you feel a veritable centaur compared with the side seat… I think I could not be thrown.”
Times, (September 10th 1890), report on a meeting of the British Association:
“Wild cats, bears, and wolves exist in the Carpathians, but there were no other obstacles, said Miss Dowie, to a girl travelling alone from London to the Russian frontier. Miss Dowie met with no inconvenience. She wore an easily-detachable skirt over knickerbockers; she carried a knife and a revolver, and when riding she rode cross-saddle and bareback… Miss Dowie said that she had met with several accidents, such as being nearly drowned while bathing in strange rivers, and dislocating her shoulder by a fall, but she regretted that she had never met a bear face to face.”
Ride a cock-horse To Banbury Cross To see a young-lady A-straddle o’course!
The Horsewoman, Mrs Hayes (1893)
“A lady who is well known with the Devon and Somerset Staghounds asked my husband’s advice about a suitable saddle, as she desired to ride astride, and he helped her to procure one with large knee pads, made on the principle of Australian buck-jumping saddles, which appears to have answered her purpose very well; but I do not know how she would get on in Leicestershire…”
Times, (November 3rd 1908)
“Perhaps the greatest change that has come over the hunting field in my time is the enormous increase of lady riders … the number of ladies must have doubled, and some of them are taking to ride astride.”
Times, (March 17th 1914)
“The Kaiser’s order expressing his desire that the wives of German Army officers shall immediately discontinue the practice of riding astride is being very widely and keenly discussed by horsewomen all over the country. The fact that it comes so soon after King George’s refusal to witness any exhibition of riding astride at Olympia is regarded as significant.”
S. R. Church, a Remount depot “somewhere in England”, World War One (thank you to Fran Jurga):
“… The remount depot is not a picnic. Now that we have roused the curiosity of a larger public than the small boys who came tumbling out of the cottages and the grinning motorists in passing cars, to whom our string of horses ridden at exercise by ladies on cross saddles was an object of amusement, we are always seeing ourselves in illustrated papers labelled ‘Smiling Dianas’ or something equally foolish. If we are Dianas, we get far hotter, dirtier, and more tired than would be at all dignified in a goddess. Of course it looks very jolly to see us all going out for a pleasant ride in the country. ‘Those girls are having the time of their lives,’ people probably say when they see us. So we are. I cannot deny it. But I think some of our friends who last saw us, say, in a London ball-room would realise the other side of the picture if they could look in one morning at a time when they are generally in bed and see the erstwhile fine lady in her riding breeches and shirt, with the sleeves rolled up over her elbows, busily engaged in cleaning a dirty old carthorse, or a charger back from the front with filthy coat, or raking refuse out of the stalls.”
Click here for a longer blog piece on women, horses and World War One which is a bit of a “missing chapter” from If Wishes Were Horses. Times, (August 5th 1919)
“It must be quite twenty years ago that the wife of a well-known R.A. electrified Exmoor by appearing astride at a meet of the Devon and Somerset, an innovation which furnished the illustrated papers with material for many criticisms and witticisms. Other days, other ways, and after five years of war it would take something very startling in the way of feminine costume to arouse comment even on Exmoor … When we remember that riding astride has been made obligatory in all ladies’ remount depôts during the war we may expect to see a very strong cross-saddle contingent with the Devon and Somerset this winter.”
Olga E Lockley, Nannie Power O’Donoghue’s biographer:
“In 1921 the question of side saddle versus cross saddle arose again. Mrs O’Donoghue , no doubt bowing to the inevitability of it, commented grudgingly that riding astride might be alright for the very young with very good figures.”
Riding Astride for Girls (1923) by Ivy Maddison
“Twenty years ago a girl who rode astride was looked on as a hoydenish creature with a shocking lack of modesty whose only reason for adopting this style must be a desire to ape masculine ways and make herself duly conspicuous.”
Times advertisements (November 30th 1928)
“The Owner of one of the most successful stables for jumpers in Germany requires an English Lady Assistant of good social position, no professional, age between 20 and 24, weight 8-9st., to ride cross-saddle in and help train for the show ring… Apply, with photo, by letter to Graf R. Von Gürtz, Brunkensen, bei Hannover.”
The Young Rider by Golden Gorse (1928)
“I do not propose to discuss side-saddle riding. Girls almost without exception learn to ride astride nowadays.”
Times, Report from Royal International Horse Show at Olympia (June 23rd 1931)
“Yesterday … there were several other competitions, two of them for riding horses, one for ladies’ hunters, and the other for ladies’ riding horses, the ladies in each case to ride side-saddle. How much better it looked, and how much safer, than the astride method which, however it may appeal to some people, can never make a lady on a horse look like a lady on a horse.”
To Whom the Goddess by Lady Diana Shedden and Lady Viola Apsley (1932):
“At present time it is a moot point whether a woman should ride side-saddle or astride.”
Lord Brabazon of Tara, News Review (19th June 1947)
“That the world is out of balance and lop-sided we know without being reminded of it by the side-saddle.”