Following on from essays for the Paris Review Daily about Selika Lazevski (here, with research notes here) and Sarah l’Africaine (here, with research notes here), I’ve written a third essay about my obsession with the horsewomen of the nineteenth-century Parisian circus who “lived at the center of public attention while simultaneously being marginal”. You can […]
Chasing more horse ghosts in London.
This blog post is about the research behind an essay I published on Paris Review Daily on 9 February 2018 (accessible here). I first blogged about Selika when her image went viral in 2012. The best source of information was a commenter called Marie (her profile has since been deleted), who pointed out the source […]
A COUNTESS IN THE RING She Is to Make Her Debut in a Paris Circus A Countess of ancient lineage, and who for many years has been one of the ornaments of the Austrian court, is about to make her debut as a circus-rider of “Haute Ecole” at the “Nouveau Cirque” at Paris. She is […]
The more I’ve learned about research over the last decade, the more I’ve realised how easy it is to slip up. I’ve seen how one writer’s creative suggestion becomes “fact” in the next book down the line, and I’ve made that mistake myself. I’ve also endeavoured, when possible, to have the issues corrected in reprints. […]
I’ve written something for The Atlantic‘s Object Lessons blog on the long (if potted!) history of horsemeat in America. A much fuller account is on offer in The Age of the Horse! During World War II food shortages, horse meat once again found its way to American tables, but the post-war backlash was rapid. “Horse […]
The horse on the cover of Ulrich Raulff’s impressive new book is soaring, bridleless, riderless and all but headless. It has the fuzziness of distance but also the heft and hairiness of life; it is both figurative and real. In tracing our extended exit from the long 19th century, when horses powered nations and shaped […]
Very often we look back on women the Victorian era and see only the equivalent of some modern-day heroine of Cosmo magazine who wears a size zero and eats only mung beans. That’s why I loved finding this caricature from Punch in 1872 mocking “the young lady with a model figure, light as a feather”.
Scores or maybe even hundreds of women in nineteenth century Europe performed as haute-école riders in circuses and hippodromes* before audiences from all classes. A handful of them became famous, as the expansion of the newspaper market meant that they were the first women to be widely celebrated for their equestrian skills (other than the […]
From Centaur or The Turn Out a practical treatise on the (humane) management of horses, either in harness, saddle, or stable; with hints respecting the harness-room, coach-house, &c. (1878) by Edward W. Gough, via Wikimedia Commons.