From Tom Crewe’s review of A Very Queer Family Indeed: Sex, Religion and the Bensons in Victorian Britain in the London Review of Books:
“At 11am on 22 November 1827 Francis Place, the reformer and radical, stuck his head out of his bedroom window in Charing Cross and put down on paper the activity he could see outside:
8 – 2 stage coaches with 4 horses each
8 – 2 ditto standing at The Ship
4 – 1 ditto [standing] at the Silver Cross
2 – 1 dray delivering ale
6 – 1 wagon coming along loaded with Swedish turnips, drawn by six horses
14 – 7 hackney coaches and cabriolets…
It goes on, until he has counted 102 horses and 37 carriages in a single street. We have a semi-miraculous view of a vanished world about its business, watched without realising it, made visible just for a moment.”
American Woman Riding Side-Saddle on the Road at Hommoku, Motomura, Yokohama, by Utagawa Hiroshige II (Japanese, 1829–1869). This woodblock print dates from 1861. It belongs to the Metropolitan Museum of Art in New York, who have generously made many of their public domain images free for anyone to use.
Good luck to long riders Tina Boche, Peter van der Gugten, Zsolt Szabo, and David Wewetzer who have embarked with their Criollo, Haflinger, Kabardin and Karabakh horses and a stallion called Hermes on a ride across Europe organised by artist Ross Birrell. Their journey from Athens to Kassel is an artwork called The Transit of Hermes for, well, the Greek god, but also Hermes the stallion, who is a rare Greek breed called an Arravani. documenta 14 are tracking their progress:
Hermes, then, is a courier, an intermediary, an animal envoy, an angel messenger. But the destination of his message (whatever it may be) is not Kassel. Neither is Athens its point of departure. It is in the relay, in the coexistence of companions: the community of riders and horses who, through the project of the ride, embody “the movement that transports… not toward another thing or another place, but towards its own taking place.”
Lucy Rees’ theories on the equine mind completed the jigsaw I was struggling to put together in The Age of the Horse. They are so down to earth and commonsense that it is hard to remember how one might ever have imagined horses living and interacting according to another, more human logic. I’m really delighted to see that J A Allen are publishing a new book by Lucy this summer: Horses in Company will be published on 26 June.
Very often we look back on women the Victorian era and see only the equivalent of some modern-day heroine of Cosmo magazine who wears a size zero and eats only mung beans. That’s why I loved finding this caricature from Punch in 1872 mocking “the young lady with a model figure, light as a feather”.