Would you be interested in a newsletter about women and horses in the long nineteenth century? I’m thinking a mixture of mini biographies like those for the circus horsewomen, plus social history and horse history. Comment and tell me what you think or what you’d like me to cover!
As part of Strangles Awareness Week 2020, Redwings talked to bacteriologist Dr Andrew Waller of the Animal Health Trust. I’ve added the results of the Q&A as a PDF here: COVID-19 vs Strangles. The Q&A is an excellent rundown of strangles symptoms and the issues over recovery. If you want to know how horses can […]
I’ve just published a chapter called “Inventing the Wild Horse: the Manmade History of the Takhi and Tarpan from 1828–2018” in Horse Breeds and Human Society: Purity, Identity and the Making of the Modern Horse, edited by Kristen Guest and Monica Mattfeld (Routledge, 2020). I went overboard writing this and outstripped my word count so […]
Following on from essays for the Paris Review Daily about Selika Lazevski (here, with research notes here) and Sarah l’Africaine (here, with research notes here), I’ve written a third essay about my obsession with the horsewomen of the nineteenth-century Parisian circus who “lived at the center of public attention while simultaneously being marginal”. You can […]
A new essay on an equestrian stuntwoman who set Second Empire Paris alight: Sarah l’Africaine, following on from an earlier piece about the mystery horsewoman Selika Lazevski. Here’s some information about my sources: Most of the firsthand material is combed from Gallica, the incredible, searchable digital collection of the French national library. The quotations in […]
Chasing more horse ghosts in London.
While the idea of sipping mare’s milk might sound unusual to Western readers, it’s been a traditional staple in Central Asia, where it is often fermented into “koumiss,” a mildly alcoholic drink that was adopted by Russian doctors in the mid-19th century as a treatment for tuberculosis. Patients no less illustrious than the writers Anton […]
I didn’t publish any articles between 2014 and 2017 because I was busy working on The Age of the Horse, so I set myself a challenge to get pieces out there to new audiences for a twelve-month surge. I’ve now reached the end and am about to sequester myself in the Stabi to work on […]
I looked up from the center of the small courtyard, above the hexagonal pillars, the Gothic arches and then higher, to the crenellations that framed a rectangle of deep-blue sky where a single planet or star shone. The building was made of stone and brick and the yard sealed by a thick, studded door, but […]
Two new pieces: one a critical review of Théâtre Équestre Zingaro’s production of Ex Anima and the other on bathing in broth.